The Original Website of Screen Actors Guild

CONTRACT CORNER
When should my payment for my work be issued?
For work as a day performer on a theatrical or television film, you must be paid within five working days after services are rendered. For work as a weekly performer on a theatrical or television film, performers must be paid no later than the Friday of the week following the week in which services are rendered. For work on a television commercial, you must be paid within 12 working days of your date of employment.
Where will my payment be mailed?
You must indicate on your employment contract where you want your payment to be mailed. You may have the payment sent to your talent agent or to your home address. If you receive your payment directly, you are responsible for timely payment of commission to your agent.
How do I qualify for an upgrade if I work as a background actor on a theatrical or television film?
In most cases, you must be directed to speak dialogue which is recorded and the direction must come from an authorized member of the production staff. Dialogue you are not directed to speak does not qualify you for an upgrade. You may also be upgraded for performing a stunt, performing professional or exhibition-level dancing or professional singing.
To determine if you may be due an upgrade, please contact the experts at the SAG office as soon as possible and speak to business representative Jackie Gadea at (800) SAG-0767, option 5, ext. 7081, or via email at Jackie.gadea@sag.org. There is a limited time frame in which a claim can be filed, so it is imperative that you contact the office immediately if you think you are due an upgrade on a theatrical or television production.
If I am asked to translate the script at a session, audition or another performer’s dialogue, do I get paid?
On commercials, an additional 50 percent of the session is paid to any performer asked to provide translation services. On television and theatrical productions, a performer cannot be required to translate another performer’s dialogue into any language other than that in which a script is written. However, performers may bargain separately for such non-covered services.
Are SAG members allowed to work on telenovelas or webnovelas?
If you are offered employment on a telenovela or webnovela or any work for Spanish language television, please contact Carlina Rodriguez, director of Spanish language organizing, via email at carlina.rodriguez@sag.org or (800) SAG-0767, option 5, ext. 7076, to discuss the particulars.
Can I go to a non-union audition?
Yes. SAG members are allowed to go to non-union auditions, but you cannot accept the work unless the production signs a SAG agreement.
MEMBER BENEFITS
Screen Actors Guild protects and serves its members. Benefits include:
• Contracts/Collective Bargaining. SAG negotiates wages and working conditions in order to maintain minimum standards for its members. Learn more about contracts.
• Pension & Health. SAG members earn credits toward retirement and health care each time they work. Visit the SAG P&H Web site at www.sagph.org.
• The SAG Foundation is an educational, humanitarian and philanthropic 501(c)(3) nonprofit organization that serves members of Screen Actors Guild, their families and the greater community. Visit the Foundation website at www.sagfoundation.org.
• iActor. SAG’s free, members-only online casting directory. Please log in as a member to access iActor.
• Deals & Discounts. SAG members are eligible for outstanding deals on entertainment, car rentals, insurance, medical visits, prescriptions, real estate, legal services and more. Just log in as a member and click on Member Perks under Branches.
• Resources to Organize Non-Union Work. SAG members and staff can organize non-union productions and sign them to SAG contracts. Visit our Organizing section for more information.
• Contracts to Cover You When Working in a Low Budget/Student Film. If you are approached about appearing in a non-union student film, low-budget, ultra low-budget or short film, there is a SAG contract to cover it. Check out SAGIndie at www.sagindie.org.
• Publications for Guild Members. Read Screen Actor magazine, SAG’s quarterly members-only publication filled with useful information for members. Also, make sure SAG has your email address, and look out for regular Branch newsletters and eblasts. We want to help you stay informed about your union and industry.
• Involvement in the Decision-Making Process at SAG. SAG is a representative democracy run by members for the benefit of members. We encourage members to actively participate in SAG governance by voting on referenda, joining committees or serving on the National or Division Board of Directors or Branch Council.
• SAG Awards Voting Privileges. Only active, paid-up Guild members are given the opportunity to vote for the recipients of the Screen Actors Guild Awards’ coveted bronze Actor statuette. Also, For Your Consideration and nomination screenings are only available to active, paid-up Screen Actors Guild members. Visit www.sagawards.com for more information.
• Check If You Are Signing a SAG Contract Online. Use SAG's convenient online signatory database to check the signatory status of any project at any time. Verify this information with a call to our office at (800) SAG-0767, option 5, ext. 7081. Verifying this information makes it easier for members to comply with Global Rule One.
WELCOME NEW MEMBERS!
We welcome the following new members in Puerto Rico who have joined in the past year:
Jandres Burgos-Caballero
Tego Calderon
John Galindez
Dan Kalal
Rene Monclova
Bernie O. Ramos-Robledo
Ulises Rosario
Welcome to the inaugural bilingual edition of Puerto Rico Report.
Bienvenidos a la edición inaugural bilingüe del Puerto Rico Report (en español).
This bilingual quarterly e-newsletter gives you news and information about Screen Actors Guild members and activities in Puerto Rico. If you have any comments or suggestions with regard to Puerto Rico Report, please contact South Region Director Leslie Krensky at (800) SAG-0767, option 5, ext. 7077, or email leslie.krensky@sag.org. We welcome your input.
Leslie L. Krensky
South Region Director and Florida Executive Director
With the passage of improved production incentives in Puerto Rico, we are anticipating exciting new developments in the industry on the island. This seems to be the perfect time to initiate an electronic newsletter specifically geared toward you, our members in Puerto Rico, and your concerns and interests. We are also very pleased that this publication will be the first and only fully bilingual newsletter for Screen Actors Guild members.
As we plan for future issues, we are looking for feedback as to the types of information and articles you would like to see in the Puerto Rico Report. So please drop me a note at leslie.krensky@sag.org as to what you liked about this issue and what you would like to see in future editions.
The initiation of this newsletter is one step in a multifaceted plan to increase our outreach to members and other performers and the industry in general in Puerto Rico. I look forward to hearing from you and working together.

From left, Chaim Kantor, Eastern Regional director, IATSE Local 600; Scott Harbinson, IATSE international representative; Vincent Galindez, Eastern Region business representative, IATSE Local 600; Josivan Rojas, transportation coordinator; Rosi Acosta, UPM/producer; Carlina Rodriguez, SAG director Spanish language organizing; Belly Torres, executive production coordinator Pimienta Corp.; Jackie Gadea, SAG business representative; David Fazekas, South Region executive; and Luillo Ruiz, producer, Pimienta Corp.

From left, unidentified guest, SAG member Dr. Jackie Bigas, Grace Connelly, Alfonso Ortiz and SAG member Laura Surillo at Guild-sponsored industry mixer. Photo by David Fazekas.
Exciting news is buzzing in the Isla del Encanto (Island of Enchantment) this season. The Puerto Rican Government has just instituted major enhancements to its incentive legislation and there is an expectation of increased production of film and television projects and commercials on the island. In anticipation of passage of this legislation, SAG staff Carlina Rodríguez, director, Spanish language organizing; David Fazekas, South Region executive; and Jackie Gadea, business representative, visited Puerto Rico in late February.
In conjunction with staff from IATSE International, Locals 600 and 494, as well as resident professionals including attorneys, payroll representatives and producers, SAG participated in a day-long panel discussion to promote awareness of contractual terms for each union. Divided into two sessions, the morning was targeted towards aspiring student filmmakers and the afternoon was dedicated to SAG members, other performers and industry professionals. The day was capped off by a mixer sponsored by the Guild.
“For the first time in decades, the film industry in Puerto Rico is closer than ever and moving forward together toward the creation of a self-sufficient industry with the support and help of the unions,” commented Rosi Acosta, local unit production manager.
SAG member Grace Connelly commented that “it was truly an uplifting experience to see all the different groups that compose our industry come together in a spirit of cooperation for the advancement of everyone in our field."
During the visit, various meetings were held with local producers interested in producing under a SAG contract, and an outreach effort was made to the Asociación de Agencias Publicitarias de Puerto Rico (Association of Advertising Agencies of Puerto Rico) to open the door for future commercial organizing opportunities.
“It is clear that runaway Spanish language commercial production is not only a problem in the States but also in Puerto Rico. We want to work with the local production community to develop a strategy to compliment the incentives offered to commercial producers and advocate for the employment of our members on the island,” said Rodriguez.
Plans are underway for a return trip later this year to continue our organizing and educational outreach. Please watch your inbox for future announcements.

Film students with SAG member Myrta Rivera, right, at workshops. Photo by David Fazekas.
The Screen Actors Guild National Spanish Language Media Task Force is made up of a group of professional actors, SAG members who dedicate their efforts to the Spanish-speaking acting community in the United States and Puerto Rico. They understand the challenges and realities our members and Spanish-speaking performers face daily throughout their careers. The members work to find possible solutions, promote new work opportunities and improve our working conditions.
Today, 30 members nationwide from Los Angeles, Miami, New York, San Diego, Chicago, Houston, Dallas and Puerto Rico work together with staff to strengthen our organizing and outreach mission: to keep their voices heard in their own language.
To achieve this goal, they need the support and participation of all our members. Together, you can continue to cultivate this ever-expanding industry and continue to develop and promote new work opportunities for our very talented actors who work in Spanish language in the United States, which benefits all SAG members.
For more information on the work of the task force or how you can get involved, please contact Carlina Rodríguez, director Spanish Language Organizing and NSLMTF staff liaision at carodriguez@sag.org or (305) 670-7677 ext. 7076, or Marlena Fitzpatrick-García, manager, organizing at mfgarcia@sag.org or (212) 827-1505.
From a Puerto Rico member of SAG’s National Spanish Language Media Task Force:
As a member of SAG’s National Spanish Language Media Task Force representing Puerto Rico and a proud SAG member since 1979, I was thrilled to hear the voices of my fellow actors from many regions in the United States come together on the first conference call back in 2007. Although to this day we have not had the pleasure of meeting personally, our solidarity and engagement to work together for the benefit of our fellow members always comes through in our voices.
It was an honor at one of our recent meetings to announce the great achievement of fellow member and Puerto Rican author, Miluka Rivera, who compiled the first book of outstanding Latino actors in Hollywood, Legado Puertorriqueño en Hollywood, Famosos y Olvidados. At the unveiling of her book in Ponce, I was reassured of the bright future we all have as SAG members and actors, but was reminded of my first experience as an actor in New York. The carefree feeling I felt of walking on set under the watchful eye of the Guild was something I took for granted.
Little did I know that soon I would return to San Juan and work outside of the “traditional” SAG governed jurisdiction. The carefree days were over! Negotiating with unjust agents, auditioning under disrespectful, hazardous conditions and having to struggle to collect a check for work rendered and lack of work were common. Calling SAG for guidance and direction seemed slow and led me to discontinue my career as an actor. As the film industry began to gain momentum on the island, I, along with a group of local SAG actors, reached out and found guidance and support through the SAG Miami office.
Under the leadership of the great Miami staff and Carlina Rodriguez, director of Spanish language organizing and liaison to our task force, our challenges and issues are being promptly sorted out and resolved. Through their commitment and resolve, for the first time in our film careers, we the SAG actors on the island feel part of the protective umbrella of our union. I am glad to claim back my career!
This group of dedicated SAG members and volunteers will soon come together to continue to work designing strategies that best address the specific needs of SAG members in Puerto Rico and the advancement of our goals.
I ask you to join me in an exercise of patience and solidarity so that future generations will be able to experience their first day on set with only one thing in mind; performing their role to the best of their capacity, knowing that everything else will be taken care of by their union.
We are embarking toward a solid future. Join us!
Truly,
Grace Connelly
By Miluka Rivera
In spite of the significant contributions of Latinos and Puerto Ricans in the film and television industry, they have been mostly unnoticed and ignored by many non-Latino film historians.
Through my long journey as a journalist that started in the '80s, I began to discover the enormous contributions of Latinos in the industry. Through my interviews throughout the years with legendary Puerto Ricans, I realized the need to rescue the history of these stars. As I got deeper into my research, I discovered that the participation of Puerto Ricans began in 1899, during the infancy of the moving image and pre-silent era in New York. This evidence, never before presented, confirms and grants the right to include Puerto Ricans as cofounders of North American cinema.
During the silent and moving image era, Hollywood producers used the beautiful landscapes of the island. In addition, legendary filmmakers such as Cecil B. DeMille and Pare Lorentz, among others, experimented and developed their talents in the southern part of Puerto Rico.
Many actors who started their careers on Broadway during the 1920s achieved success in cinema, such as the Puerto Rican pioneer Juano Hernández, who opened doors for many African-American actors, including Sidney Poitier. Actress Olga San Juan, along with Dolores del Rio and Rita Hayworth, was one of three Latina stars who sang and danced with Fred Astaire in the 1940s. In 1951, José Ferrer received the first Oscar by a Latino for his outstanding performance as best actor in Cyrano de Bergerac. Rita Moreno was the first Latina actress to win an Academy Award as best supporting actress in West Side Story (1964), and in 2001, Benicio del Toro became the second Latino and first Puerto Rican to win an Academy Award for best supporting actor (Anthony Quinn won twice as best supporting actor in the 1950s).
It is the duty of every generation to contribute to the next. How do we continue the legacy?
Olga San Juan confessed that actress Mapy Cortés inspired her career. Jennifer López said Rita Moreno was her inspiration and Jimmy Smits declared that Raúl Juliá influenced his acting career.
Actors like Marc Anthony, Benicio del Toro, Jennifer López and Jimmy Smits have worked as executive producers of various productions, some shot in Puerto Rico and some under SAG contract. Taking advantage of the boom that the film industry of Puerto Rico has experienced from the incentives and the 40-percent tax credit, Anthony and López are planning the development of a film studio.
The 40-percent tax credit recently adopted by the Puerto Rico Legislature also applies to the production of television commercials. Prior to its adoption, Screen Actors Guild President Ken Howard sent a letter in support of this initiative. About two years ago, this author and Carlina Rodríguez, SAG’s director of Spanish language organizing, visited Rep. José Chico Vega and the Puerto Rican Film Commission on the island. The purpose of our visit to them was to promote the idea of making the tax credit also available to television commercial producers to attract commercial productions that we had lost, and to gain new ones, thereby increasing employment for local SAG actors in Puerto Rico. We are delighted that the 40-percent tax credit has found support among the legislators, and we applaud their approval.
Puerto Rico has the resources and potential to become the film center of the Caribbean, and it can count on SAG’s support in the continued development of its infrastructure.
For more information about the book Puerto Rican Legacy in Hollywood: Famous and Forgotten please visit: www.legadopuertorriquenohollywood.com.
Have questions or comments about the Puerto Rico Report? Write leslie.krensky@sag.org.